Low E string: E, F#, G, A, B, C#, D#, E at frets 0, 2, 3, 5, 7, 9, 11, 12
A string: A, B, C#, D#, E, F#, G, A at frets 0, 2, 4, 6, 7, 9, 10, 12
D string: D#, E, F#, G, A, B, C# at frets 1, 2, 4, 5, 7, 9, 11
G string: G, A, B, C#, D#, E, F#, G at frets 0, 2, 4, 6, 8, 9, 11, 12
B string: B, C#, D#, E, F#, G, A, B at frets 0, 2, 4, 5, 7, 8, 10, 12
High E string: E, F#, G, A, B, C#, D#, E at frets 0, 2, 3, 5, 7, 9, 11, 12
The mixolydian b6 scale, the fifth mode of the melodic minor scale, is a dominant scale whose top half turns minor: natural 3rd, flat 6th, flat 7th. The b6 gives the plain mixolydian sound a bittersweet, almost cinematic shading. It is the natural choice over a V7 resolving to a minor chord, spelling the coming darkness in advance.
it consists of these notes and degrees:
I
ii°
iii°
iv
v
bVI+
bVII
Characteristic notes: G (b6) and A (b7), a dominant sound with a darkened sixth, halfway to minor.
Same notes, different mode
B mixolydian b6 uses the same notes as the scales below. Start from a different note and you get a new mode built on the very same note set.
mixolydian b6 in all 12 keys, with chords and related scales
How to play B mixolydian b6 on guitar
Open B string is the root, and low E, A, G and high E fill out five open strings in the key, so a tonic pedal is available on the B string. Closest fretted root to the nut: the A string at fret 2. Low E carries its root at fret 7. Set a capo at fret 2 and A fingerings apply, which lets three sharps stay off the page.
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