Low E string: E#, F#, G#, A#, B, C##, D# at frets 1, 2, 4, 6, 7, 10, 11
A string: A#, B, C##, D#, E#, F#, G# at frets 1, 2, 5, 6, 8, 9, 11
D string: C##, D#, E#, F#, G#, A#, B, C## at frets 0, 1, 3, 4, 6, 8, 9, 12
G string: G#, A#, B, C##, D#, E#, F# at frets 1, 3, 4, 7, 8, 10, 11
B string: B, C##, D#, E#, F#, G#, A#, B at frets 0, 3, 4, 6, 7, 9, 11, 12
High E string: E#, F#, G#, A#, B, C##, D# at frets 1, 2, 4, 6, 7, 10, 11
The lydian #9 scale, the sixth mode of the harmonic minor scale, is lydian with its 2nd raised to a sharp 9: an augmented 2nd right at the start, then pure brightness. The strange leap into a serene lydian upper structure gives it a ceremonial, almost liturgical character. A rare color, best over maj7#11 chords that can absorb the #9.
it consists of these notes and degrees:
I
#ii°
iii
#iv°
V+
vi
VII
Characteristic note: D (#2), the raised second stacked on top of lydian brightness.
Same notes, different mode
B lydian #9 uses the same notes as the scales below. Start from a different note and you get a new mode built on the very same note set.
How to play B lydian #9 on guitar
Open B is the tonic and the open D spells C##, the augmented second, so the interval that defines this scale is sitting on an open string. F#aug answers to V+, so the augmented triad roots on the fifth degree, not the tonic. Fretted roots sit at 7 on both E strings, 2 on the A and 9 on the D. Only two open strings belong. Position one ends at fret 11, so the 7th-fret box carries the low register.
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