Low E string: E#, F#, G, A, B, C#, D# at frets 1, 2, 3, 5, 7, 9, 11
A string: A, B, C#, D#, E#, F#, G, A at frets 0, 2, 4, 6, 8, 9, 10, 12
D string: D#, E#, F#, G, A, B, C# at frets 1, 3, 4, 5, 7, 9, 11
G string: G, A, B, C#, D#, E#, F#, G at frets 0, 2, 4, 6, 8, 10, 11, 12
B string: B, C#, D#, E#, F#, G, A, B at frets 0, 2, 4, 6, 7, 8, 10, 12
High E string: E#, F#, G, A, B, C#, D# at frets 1, 2, 3, 5, 7, 9, 11
The lydian minor scale pairs a bright lydian bottom (natural 2nd and 3rd, raised 4th) with a minor top (flat 6th and 7th). The same collection appears as the fourth mode of the neapolitan major catalogue under the name lydian dominant b6. It is a bittersweet dominant color: shimmering below, sinking above, at home in film scoring.
it consists of these notes and degrees:
I
II
iii°
#IV
v
bVI+
bVII+
Same notes, different mode
B lydian minor uses the same notes as the scales below. Start from a different note and you get a new mode built on the very same note set.
How to play B lydian minor on guitar
Open B is a root, letting the second string drone while open A and G add the minor seventh and minor sixth beneath it. Fret 2 on the A string is the nearest fretted root. Lowest-pitched root is fret 7 on the low E, which lets a barre chord sit under the open drone an octave down. Aaug covers the bVII+ degree.
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