Low E string: E, F#, G#, A#, B, C##, D#, E at frets 0, 2, 4, 6, 7, 10, 11, 12
A string: A#, B, C##, D#, E, F#, G# at frets 1, 2, 5, 6, 7, 9, 11
D string: C##, D#, E, F#, G#, A#, B, C## at frets 0, 1, 2, 4, 6, 8, 9, 12
G string: G#, A#, B, C##, D#, E, F# at frets 1, 3, 4, 7, 8, 9, 11
B string: B, C##, D#, E, F#, G#, A#, B at frets 0, 3, 4, 5, 7, 9, 11, 12
High E string: E, F#, G#, A#, B, C##, D#, E at frets 0, 2, 4, 6, 7, 10, 11, 12
The ionian #2 scale, the sixth mode of the neapolitan minor scale, is a major scale whose 2nd is raised to a sharp 2nd, creating an augmented 2nd leap right at the start. The rest is textbook major, so melodies keep snapping between exotic and plain. It is a striking way to make a familiar major progression sound foreign.
it consists of these notes and degrees:
I
#II
iii
IV
V+
vi
VII
Same notes, different mode
B ionian major #2 uses the same notes as the scales below. Start from a different note and you get a new mode built on the very same note set.
ionian major #2 in all 12 keys, with chords and related scales
How to play B ionian major #2 on guitar
Open B is a root, letting you ring an unfretted tonic while the lowest root stays at fret 7 on the low E string. Both E strings land a perfect fourth above the tonic and the open D reads as C##, giving four open strings inside the key. A#Mb5 is the VII chord, and fret 2 on the A string sits an octave under that open B. A capo at fret 2 brings A shapes.
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