Low E string: E#, F#, G#, A, B, C, D, D# at frets 1, 2, 4, 5, 7, 8, 10, 11
A string: A, B, C, D, D#, E#, F#, G#, A at frets 0, 2, 3, 5, 6, 8, 9, 11, 12
D string: D, D#, E#, F#, G#, A, B, C, D at frets 0, 1, 3, 4, 6, 7, 9, 10, 12
G string: G#, A, B, C, D, D#, E#, F# at frets 1, 2, 4, 5, 7, 8, 10, 11
B string: B, C, D, D#, E#, F#, G#, A, B at frets 0, 1, 3, 4, 6, 7, 9, 10, 12
High E string: E#, F#, G#, A, B, C, D, D# at frets 1, 2, 4, 5, 7, 8, 10, 11
The half-whole diminished scale alternates half and whole steps through eight notes, and is jazz's standard sound over a 13b9 dominant chord: it contains the b9, #9, #11, natural 13 and both chord 3rd and 7th. Because it repeats every minor 3rd, one fingering transposes in minor-3rd jumps, and the same notes serve four different dominant chords.
it consists of these notes and degrees:
I
bII
bIII
III
#IV
V
VI
bVII
Same notes, different mode
B half-whole diminished uses the same notes as the scales below. Start from a different note and you get a new mode built on the very same note set.
half whole diminished in all 12 keys, with chords and related scales
How to play B half-whole diminished on guitar
Open B is a root, so one string pedals without any left hand. Root map: low E fret 7, A fret 2, D fret 9, G fret 4. Open A and D belong here too, which means a three-string drone is possible. Same box covers D, F and Ab, each three semitones from the last, which means four keys collapse into one fingering. Root box ends at fret 11.
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