Low E string: E, F, Gb, G, A, Bb, Cb, C, Db, Eb, E at frets 0, 1, 2, 3, 5, 6, 7, 8, 9, 11, 12
A string: A, Bb, Cb, C, Db, Eb, E, F, Gb, G, A at frets 0, 1, 2, 3, 4, 6, 7, 8, 9, 10, 12
D string: Eb, E, F, Gb, G, A, Bb, Cb, C, Db at frets 1, 2, 3, 4, 5, 7, 8, 9, 10, 11
G string: G, A, Bb, Cb, C, Db, Eb, E, F, Gb, G at frets 0, 2, 3, 4, 5, 6, 8, 9, 10, 11, 12
B string: Cb, C, Db, Eb, E, F, Gb, G, A, Bb, Cb at frets 0, 1, 2, 4, 5, 6, 7, 8, 10, 11, 12
High E string: E, F, Gb, G, A, Bb, Cb, C, Db, Eb, E at frets 0, 1, 2, 3, 5, 6, 7, 8, 9, 11, 12
Messiaen's mode 7 is the largest mode of limited transposition: ten notes, leaving out just one whole-step pair per tritone half. It is nearly chromatic, with symmetry at the tritone and only six distinct transpositions. In practice it works as organized chromaticism: dense clusters and runs that still obey an internal pattern rather than free atonality.
it consists of these notes and degrees:
I
bII
II
bIII
IV
#IV
V
bVI
VI
VII
How to play B♭ messiaen's mode #7 on guitar
A-shape barre at fret 1 puts the root about as close to the nut as a barre chord can sit. Clamp a capo at fret 1 and the key plays as A fingering, which means open-position grips survive the 5 flats. Open A rings the major seventh here. E shares this exact fingering six semitones away, so time spent on Bb counts twice.
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