Low E string: E, F, G, A, Bb, C#, D, E at frets 0, 1, 3, 5, 6, 9, 10, 12
A string: A, Bb, C#, D, E, F, G, A at frets 0, 1, 4, 5, 7, 8, 10, 12
D string: D, E, F, G, A, Bb, C#, D at frets 0, 2, 3, 5, 7, 8, 11, 12
G string: G, A, Bb, C#, D, E, F, G at frets 0, 2, 3, 6, 7, 9, 10, 12
B string: C#, D, E, F, G, A, Bb at frets 2, 3, 5, 6, 8, 10, 11
High E string: E, F, G, A, Bb, C#, D, E at frets 0, 1, 3, 5, 6, 9, 10, 12
The lydian #9 scale, the sixth mode of the harmonic minor scale, is lydian with its 2nd raised to a sharp 9: an augmented 2nd right at the start, then pure brightness. The strange leap into a serene lydian upper structure gives it a ceremonial, almost liturgical character. A rare color, best over maj7#11 chords that can absorb the #9.
it consists of these notes and degrees:
I
#ii°
iii
#iv°
V+
vi
VII
Characteristic note: C# (#2), the raised second stacked on top of lydian brightness.
Same notes, different mode
Bb lydian #9 uses the same notes as the scales below. Start from a different note and you get a new mode built on the very same note set.
How to play B♭ lydian #9 on guitar
A-shape barre lands at fret 1, so the A-string root sits one fret up from the nut with no stretch involved. Five open strings stay in the key, both E strings landing on the augmented fourth. Faug holds the V+ position. Roots also fall at 6 on the E strings, 8 on the D and 3 on the G, which means position one covers a wide band before ending at fret 10. Capo fret 1 and you get A lydian #9, so open shapes come back.
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