Low E string: F, Gb, Bb, C, Db at frets 1, 2, 6, 8, 9
A string: Bb, C, Db, F, Gb at frets 1, 3, 4, 8, 9
D string: F, Gb, Bb, C, Db at frets 3, 4, 8, 10, 11
G string: Bb, C, Db, F, Gb at frets 3, 5, 6, 10, 11
B string: C, Db, F, Gb, Bb at frets 1, 2, 6, 7, 11
High E string: F, Gb, Bb, C, Db at frets 1, 2, 6, 8, 9
The hirajoshi scale is the best known Japanese pentatonic: root, 2nd, flat 3rd, 5th, flat 6th. Each half step resolves downward (b3 to 2, b6 to 5), which creates its elegant, melancholy motion. It has long since escaped traditional koto music: metal and fusion players from Marty Friedman onward mine it for exotic riffs that still sit over a plain minor chord.
it consists of these notes and degrees:
I
II
bIII
V
bVI
Same notes, different mode
Bb hirajoshi uses the same notes as the scales below. Start from a different note and you get a new mode built on the very same note set.
How to play B♭ hirajoshi on guitar
Fret 1 on the A string holds the root nearest the nut, and clamping there turns everything into A fingering, which lets open shapes back in. No open string belongs to this key, so every note has to be fretted. Lowest root is 6 on the low E, with box one done at 10. F kumoijoshi lifts the same fingering seven semitones.
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