Low E string: F, F#, A, Bb, C#, D, Eb at frets 1, 2, 5, 6, 9, 10, 11
A string: A, Bb, C#, D, Eb, F, F#, A at frets 0, 1, 4, 5, 6, 8, 9, 12
D string: D, Eb, F, F#, A, Bb, C#, D at frets 0, 1, 3, 4, 7, 8, 11, 12
G string: A, Bb, C#, D, Eb, F, F# at frets 2, 3, 6, 7, 8, 10, 11
B string: C#, D, Eb, F, F#, A, Bb at frets 2, 3, 4, 6, 7, 10, 11
High E string: F, F#, A, Bb, C#, D, Eb at frets 1, 2, 5, 6, 9, 10, 11
The augmented heptatonic scale takes the symmetrical augmented scale and adds a perfect 4th, giving seven notes: root, sharp 2nd, major 3rd, 4th, 5th, sharp 5th, major 7th. The added 4th gives the symmetrical augmented sound a stepping stone toward conventional resolution. It suits maj7#5 harmony where you want both the exotic color and a smooth melodic line.
it consists of these notes and degrees:
I
#II
iii
iv
V+
#V+
VII
How to play B♭ augmented heptatonic on guitar
Only the open A and D strings belong here, so drones are thin and the work is fretted. Fret 1 on the A string carries the root, which puts the A-shape barre right at the nut end and the E-shape at 6. Capo fret 1 turns it into A shapes. Faug and F#aug both appear, so the V+ gives you two augmented options and no pull back to BbM.
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