Low E string: F, Gb, A, Bb, Cb, Db, Eb at frets 1, 2, 5, 6, 7, 9, 11
A string: A, Bb, Cb, Db, Eb, F, Gb, A at frets 0, 1, 2, 4, 6, 8, 9, 12
D string: Eb, F, Gb, A, Bb, Cb, Db at frets 1, 3, 4, 7, 8, 9, 11
G string: A, Bb, Cb, Db, Eb, F, Gb at frets 2, 3, 4, 6, 8, 10, 11
B string: Cb, Db, Eb, F, Gb, A, Bb, Cb at frets 0, 2, 4, 6, 7, 10, 11, 12
High E string: F, Gb, A, Bb, Cb, Db, Eb at frets 1, 2, 5, 6, 7, 9, 11
The ultralocrian scale is the seventh mode of the harmonic minor scale: locrian with its 4th and 7th squeezed down further, leaving a diminished 7th chord spelled straight up the scale. Everything in it wants to collapse inward, which makes it a natural over diminished 7th chords and the darkest corners of metal and jazz vocabulary.
it consists of these notes and degrees:
I
bii
bbIII
bIV+
bv
bVI
bbVII
Characteristic note: Gb (bb7), the double-flat seventh that makes this the darkest mode of harmonic minor.
Same notes, different mode
A ultralocrian uses the same notes as the scales below. Start from a different note and you get a new mode built on the very same note set.
How to play A ultralocrian on guitar
Open A rings the root, and the open B slots in as Cb, so drone-plus-line textures start at fret zero. G string answers with a root at fret 2. Both E strings pick the root up again at fret 5, which means the E-shape barre frames the same spot. Harmony carries Bbm, Ebm, and Dbaug, and a functional dominant is nowhere in the set.
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