Low E string: F#, G, A, Bb, C#, D, Eb at frets 2, 3, 5, 6, 9, 10, 11
A string: A, Bb, C#, D, Eb, F#, G, A at frets 0, 1, 4, 5, 6, 9, 10, 12
D string: D, Eb, F#, G, A, Bb, C#, D at frets 0, 1, 4, 5, 7, 8, 11, 12
G string: G, A, Bb, C#, D, Eb, F#, G at frets 0, 2, 3, 6, 7, 8, 11, 12
B string: C#, D, Eb, F#, G, A, Bb at frets 2, 3, 4, 7, 8, 10, 11
High E string: F#, G, A, Bb, C#, D, Eb at frets 2, 3, 5, 6, 9, 10, 11
The oriental scale is the double harmonic major scale with its 5th flattened: root, flat 2nd, major 3rd, 4th, flat 5th, 6th, flat 7th. Losing the perfect 5th removes its anchor, tilting the byzantine sound toward the diminished and making the natural 6th glow strangely above the b5. A deliberately unstable exotic color.
it consists of these notes and degrees:
I
bII+
III
IV
bV
vi
bvii
Same notes, different mode
A oriental uses the same notes as the scales below. Start from a different note and you get a new mode built on the very same note set.
How to play A oriental on guitar
Open A is the tonic, open D the fourth above it and open G the flat seventh, which lets a three-string drone hold under everything played on the top two strings. Roots then repeat at fret 2 on the G string and fret 5 on both E strings. Same fingering covers D double harmonic major, 5 semitones up, so one learned box pays twice. First position gives out at fret 9.
homeall scalesaboutfaqpricingmicrotonalterms & conditionsprivacy policycookie policy© 2026 StringScales. All rights reserved.