Low E string: E, F, F#, G#, A, Bb, B, C, D, D#, E at frets 0, 1, 2, 4, 5, 6, 7, 8, 10, 11, 12
A string: A, Bb, B, C, D, D#, E, F, F#, G#, A at frets 0, 1, 2, 3, 5, 6, 7, 8, 9, 11, 12
D string: D, D#, E, F, F#, G#, A, Bb, B, C, D at frets 0, 1, 2, 3, 4, 6, 7, 8, 9, 10, 12
G string: G#, A, Bb, B, C, D, D#, E, F, F# at frets 1, 2, 3, 4, 5, 7, 8, 9, 10, 11
B string: B, C, D, D#, E, F, F#, G#, A, Bb, B at frets 0, 1, 3, 4, 5, 6, 7, 9, 10, 11, 12
High E string: E, F, F#, G#, A, Bb, B, C, D, D#, E at frets 0, 1, 2, 4, 5, 6, 7, 8, 10, 11, 12
Messiaen's mode 7 is the largest mode of limited transposition: ten notes, leaving out just one whole-step pair per tritone half. It is nearly chromatic, with symmetry at the tritone and only six distinct transpositions. In practice it works as organized chromaticism: dense clusters and runs that still obey an internal pattern rather than free atonality.
it consists of these notes and degrees:
I
bII
II
bIII
IV
#IV
V
bVI
VI
VII
How to play A messiaen's mode #7 on guitar
Open A gives you the root without a finger down, and both E strings ring the perfect fifth above and below it, so root-fifth drones come built in. D and B stay in the key too, on the perfect fourth and major second. E-shape barre roots sit at fret 5. Learn the box once and it doubles for Eb six semitones higher, which lets one shape work two keys.
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