Low E string: E#, F##, G#, A, B, C#, D, D# at frets 1, 3, 4, 5, 7, 9, 10, 11
A string: A, B, C#, D, D#, E#, F##, G#, A at frets 0, 2, 4, 5, 6, 8, 10, 11, 12
D string: D, D#, E#, F##, G#, A, B, C#, D at frets 0, 1, 3, 5, 6, 7, 9, 11, 12
G string: F##, G#, A, B, C#, D, D#, E#, F## at frets 0, 1, 2, 4, 6, 7, 8, 10, 12
B string: B, C#, D, D#, E#, F##, G#, A, B at frets 0, 2, 3, 4, 6, 8, 9, 10, 12
High E string: E#, F##, G#, A, B, C#, D, D# at frets 1, 3, 4, 5, 7, 9, 10, 11
Messiaen's mode 6 is an eight note mode of limited transposition: whole, whole, half, half, repeated twice, repeating at the tritone. It merges whole tone motion with chromatic braking points, so lines glide and then suddenly snag. Like all these modes its transpositions are limited (six here), which is exactly what gives music built on it its circling, suspended quality.
it consists of these notes and degrees:
I
II
III
IV
#IV
#V
#VI
VII
How to play A messiaen's mode #6 on guitar
Open A string is a root, giving a pedal you can hold under the whole key. Fret 2 on the G string is the nearest fretted root, with more at 7 on the D and 10 on the B. Open D contributes a perfect fourth while the open B adds a major second, so the four in-scale opens sit under a first-position shape. Lowest root is fret 5 on the low E.
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