Low E string: E, F#, G#, A, B#, C#, D#, E at frets 0, 2, 4, 5, 8, 9, 11, 12
A string: A, B#, C#, D#, E, F#, G#, A at frets 0, 3, 4, 6, 7, 9, 11, 12
D string: D#, E, F#, G#, A, B#, C# at frets 1, 2, 4, 6, 7, 10, 11
G string: G#, A, B#, C#, D#, E, F# at frets 1, 2, 5, 6, 8, 9, 11
B string: B#, C#, D#, E, F#, G#, A at frets 1, 2, 4, 5, 7, 9, 10
High E string: E, F#, G#, A, B#, C#, D#, E at frets 0, 2, 4, 5, 8, 9, 11, 12
The lydian #9 scale, the sixth mode of the harmonic minor scale, is lydian with its 2nd raised to a sharp 9: an augmented 2nd right at the start, then pure brightness. The strange leap into a serene lydian upper structure gives it a ceremonial, almost liturgical character. A rare color, best over maj7#11 chords that can absorb the #9.
it consists of these notes and degrees:
I
#ii°
iii
#iv°
V+
vi
VII
Characteristic note: C (#2), the raised second stacked on top of lydian brightness.
Same notes, different mode
A lydian #9 uses the same notes as the scales below. Start from a different note and you get a new mode built on the very same note set.
How to play A lydian #9 on guitar
Open A is the tonic and both E strings sit a perfect fifth above, so three open strings give you root and fifth across the whole range. Eaug covers V+, so those open E strings root the augmented triad too. Fretted roots return at 5 on the E strings, 7 on the D and 2 on the G. Fret 10 on the B string sits highest. Position one closes at fret 9, so the 5th-fret box does the heavy lifting.
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