Low E string: E, F, G, A, B, C#, D#, E at frets 0, 1, 3, 5, 7, 9, 11, 12
A string: A, B, C#, D#, E, F, G, A at frets 0, 2, 4, 6, 7, 8, 10, 12
D string: D#, E, F, G, A, B, C# at frets 1, 2, 3, 5, 7, 9, 11
G string: G, A, B, C#, D#, E, F, G at frets 0, 2, 4, 6, 8, 9, 10, 12
B string: B, C#, D#, E, F, G, A, B at frets 0, 2, 4, 5, 6, 8, 10, 12
High E string: E, F, G, A, B, C#, D#, E at frets 0, 1, 3, 5, 7, 9, 11, 12
The lydian dominant b6 scale, the fourth mode of the neapolitan major scale, is lydian dominant with its 6th lowered, the same collection catalogued as the lydian minor scale. Bright #4 below, dark b6 and b7 above: a dominant color that promises resolution to minor. It fits 7#11b13 chords and film-score cadences.
it consists of these notes and degrees:
I
II
iii°
#IV
v
bVI+
bVII+
Same notes, different mode
A lydian dominant b6 uses the same notes as the scales below. Start from a different note and you get a new mode built on the very same note set.
lydian dominant b6 in all 12 keys, with chords and related scales
How to play A lydian dominant b6 on guitar
Open A is the root and both E strings the fifth, so three of the six strings pedal on their own. Five of the six open strings belong. Fretted roots start at fret 2 on the G string, which means an anchor sits low even with the low E root at fret 5. Box one ends at fret 9, and the five chord is minor, Em.
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