Low E string: E, F#, G, A, Bb, C, C#, D#, E at frets 0, 2, 3, 5, 6, 8, 9, 11, 12
A string: A, Bb, C, C#, D#, E, F#, G, A at frets 0, 1, 3, 4, 6, 7, 9, 10, 12
D string: D#, E, F#, G, A, Bb, C, C# at frets 1, 2, 4, 5, 7, 8, 10, 11
G string: G, A, Bb, C, C#, D#, E, F#, G at frets 0, 2, 3, 5, 6, 8, 9, 11, 12
B string: C, C#, D#, E, F#, G, A, Bb at frets 1, 2, 4, 5, 7, 8, 10, 11
High E string: E, F#, G, A, Bb, C, C#, D#, E at frets 0, 2, 3, 5, 6, 8, 9, 11, 12
The half-whole diminished scale alternates half and whole steps through eight notes, and is jazz's standard sound over a 13b9 dominant chord: it contains the b9, #9, #11, natural 13 and both chord 3rd and 7th. Because it repeats every minor 3rd, one fingering transposes in minor-3rd jumps, and the same notes serve four different dominant chords.
it consists of these notes and degrees:
I
bII
bIII
III
#IV
V
VI
bVII
Same notes, different mode
A half-whole diminished uses the same notes as the scales below. Start from a different note and you get a new mode built on the very same note set.
half whole diminished in all 12 keys, with chords and related scales
How to play A half-whole diminished on guitar
Open A is a root, both open E strings give the fifth and open G adds the minor seventh, so four strings are live before you fret. Fretted roots repeat at the 5th fret on both E strings, the 7th on the D and the 2nd on the G. One fingering spans C, Eb and Gb at three, six and nine semitones, so four tonics come from a single box. Root box gives way at fret 9.
homeall scalesaboutfaqpricingmicrotonalterms & conditionsprivacy policycookie policy© 2026 StringScales. All rights reserved.