Low E string: F, Gb, Ab, Bbb, C, Db, Ebb at frets 1, 2, 4, 5, 8, 9, 10
A string: Bbb, C, Db, Ebb, F, Gb, Ab, Bbb at frets 0, 3, 4, 5, 8, 9, 11, 12
D string: Ebb, F, Gb, Ab, Bbb, C, Db, Ebb at frets 0, 3, 4, 6, 7, 10, 11, 12
G string: Ab, Bbb, C, Db, Ebb, F, Gb at frets 1, 2, 5, 6, 7, 10, 11
B string: C, Db, Ebb, F, Gb, Ab, Bbb at frets 1, 2, 3, 6, 7, 9, 10
High E string: F, Gb, Ab, Bbb, C, Db, Ebb at frets 1, 2, 4, 5, 8, 9, 10
The oriental scale is the double harmonic major scale with its 5th flattened: root, flat 2nd, major 3rd, 4th, flat 5th, 6th, flat 7th. Losing the perfect 5th removes its anchor, tilting the byzantine sound toward the diminished and making the natural 6th glow strangely above the b5. A deliberately unstable exotic color.
it consists of these notes and degrees:
I
bII+
III
IV
bV
vi
bvii
Same notes, different mode
Ab oriental uses the same notes as the scales below. Start from a different note and you get a new mode built on the very same note set.
How to play A♭ oriental on guitar
Only two open strings survive here, the A as a minor second and the D as a diminished fifth, so fretted playing carries almost everything and open-string tricks stay off the table. Nearest the nut is fret 1 on the G string, which lets a first-position box form even with the lowest root parked at fret 4 on the low E string. Capo 1 hands over G oriental shapes intact. Position shift lands at 8.
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