Low E string: E, F, G#, A, Bb, C, D, E at frets 0, 1, 4, 5, 6, 8, 10, 12
A string: A, Bb, C, D, E, F, G#, A at frets 0, 1, 3, 5, 7, 8, 11, 12
D string: D, E, F, G#, A, Bb, C, D at frets 0, 2, 3, 6, 7, 8, 10, 12
G string: G#, A, Bb, C, D, E, F at frets 1, 2, 3, 5, 7, 9, 10
B string: C, D, E, F, G#, A, Bb at frets 1, 3, 5, 6, 9, 10, 11
High E string: E, F, G#, A, Bb, C, D, E at frets 0, 1, 4, 5, 6, 8, 10, 12
The balinese scale as catalogued here is a seven note set identical to the neapolitan minor scale: root, flat 2nd, flat 3rd, 4th, 5th, flat 6th, major 7th. The name nods to the pelog-flavored half steps around the root and 5th rather than to an actual gamelan tuning, which does not fit Western frets. Expect a dark minor sound with an unexpectedly bright leading tone.
it consists of these notes and degrees:
i
bII
bIII+
iv
V
bVI
VII
Same notes, different mode
A balinese uses the same notes as the scales below. Start from a different note and you get a new mode built on the very same note set.
How to play A balinese on guitar
Open A is the root, with both E strings a perfect fifth away and the open D a perfect fourth, so four strings can ring without leaving the key. Lowest root sits at 5 on the low E, the same fret as the E-shape anchor, which means the barre position doubles as the box. Another root sits at 2 on the G string. C mixolydian augmented is the same shape, three semitones higher.
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